An international quarterly magazine of politics, culture, literature and the arts published at Skidmore College
Salmagundi 232-233 Cover
• Cover
Our Fall-Winter special issue, number 232-233, centering on personal essays on film, is out now!

Ms. Annye, Li’l Robert Johnson & Them

Kevin Brown

Salmagundi 216-217, Fall 2022 - Winter 2023

Toffs

Evelyn Toynton

Salmagundi 216-217, Fall 2022 - Winter 2023

On Not Drinking the Kool-Aid

William Deresiewicz

Salmagundi 216-217, Fall 2022 - Winter 2023

Magic Mountain

Robert Pinsky

Salmagundi 216-217, Fall 2022 - Winter 2023

Woody Allen

Giles Harvey

Salmagundi 216-217, Fall 2022 - Winter 2023

The Measuring Muse

Peter Filkins

Salmagundi 214-215, Spring - Summer 2022

Online
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Photograph of the young Rickie Lee Jones courtesy of the artist

The Home Key #7

An Interview with Rickie Lee Jones

Rick Moody

Deadfacting: On Exhuming the Past For Present Purposes

Christophe Van Eecke
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Special Features
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The Home Key

Scientomancy, or Divination by Science

Olga Tokarczuk

Soul Sisters:

Anne Frank and Audrey Hepburn

Jeffrey Meyers

Salmagundi 216-217, Fall 2022 - Winter 2023

Live Photo

Anne Kenner
Online
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Fierce Nostalgia: Notes From a Non-Native Austinite

Barbara Purcell
Online
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The Home Key #9:

An Interview with Chris Forsyth

Rick Moody
Online

The Home Key #8:

Regina Spektor, Onto-Theologically

Rick Moody

Make Our Institutions Great Again

Erin Greer

On Getting Butter

Stephen Greenblatt
Excerpts
It’s easy to think we know how hard it is to be a woman who is an artist. It’s easy to think that we know about a particular kind of unwanted attention and exploitation that women receive in the music business. Harder to think about the cost of that to the self over, say, decades.
This excerpt appears in The Home Key #20, by

Rick Moody

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